Aktuelles
Termeh Aktuell ist die erste Adresse für Kunst- und Kulturnachrichten rund um das Termehkulturfest.
Excitement builds over the start of „Termeh“ Iranian Culture Festival in Munich / Start of Termeh Festival, unveiling cultural Iran
The sixth „Termeh“ Iranian Culture Festival has kicked off in Munich.
The sixth „Termeh“ Iranian Culture Festival is being held in Gasteig Complex of Munich, Germany, for two weeks starting from 16th to 30th May, and with immense support of Department of Arts and Culture of the City of Munich, Gasteig Cultural Complex and other organizations.
This year of Termeh annual festival, includes concerts by young and well-known Iranian musicians, „Literature Night“ with narration and lectures on Ferdowsi and Shahnameh, musical performance, screenings of short and documentary films, theater and various art workshops for children and adults.
Many cultural and artistic figures from Iran and other countries participate in this festival. Among the familiar faces of this year’s festival are Bomrani, Haman band and Niyaz Nawab in music category, Fatemeh Motamedaria and Mona Farjad in theater category, and Dr. Jalal Khaleghi Motlagh in literature category. Moreover, in short films and documentaries category, “Marlik Hills” directed by Ebrahim Golestan, “Let the past go by” starring Sara Bahrami and “Echo” starring Taraneh Alidousti are among the films which will be screened.
Termeh, as a cultural venue, attempts to present a new viewpoint on Iran and its culture, which is very different from the stereotypical Iran, often presented in West, as a country with ties to oil and dictatorship.
Termeh strives to uphold Iranian values and conveys this to the Iranian diaspora, and at the same time, introduces this culture to the German society, by promoting the culture of Munich and Iranian art.
Bomrani, the first day of Termeh
About the style and context of Bamrani’s works: Performancing on the first day of Termeh
Festival
For almost fourteen years, we have heard the sound of Bomrani music from the basements
to the biggest stages of Tehran and from the house of Zinat al-Muluk in Shiraz to the cities of
Europe. Bomrani was created in 2008 by “Behzad Omrani”. After the arrival of Mani Mozkka,
the Harmonica player, and Jahanyar Ghorbani, the Electric guitar player, it became a Band.
The other musicians of this Band are Arash Omrani (Piano player), Kiarash Omrani (Electric
Guitar player), Salar Asghari (Drummer). Abtin Yaghmayian was the previous drummer in this
Band. In addition, let us not forget that the initial ideas for forming this group resulted from
Behzad Omrani’s collaboration with Hamidreza Behzadian. Since then, Behzad has worked as
the group’s founder, singer, and rhythm guitarist.
In the beginning, Bomrani’s music was heard informally with numerous performances in
cafes and with the albums like „Asemane Zard, Khorshide Abi, Jurab haye lokht” . In a few
years, the range of performances increased, and they reached the theatres of Tehran. Then,
in 2004, the first official album of this group called „Otubuse Ghermez“ was released by
Chekeh Publishing. This means that Bomrani took the first step to entering the world of
music licenses with music for children and teenagers. In the next years, the albums like
“Makhraj Moshtarak,” “Gozashtan va Raftane Peyvaste” , “Sizdah Chehel” and “Ehtemalan
Qahramani dar kar nist” were released, which was popular by the audience.
What are Bomrani’s features?
In the last Festivals through the years, Bomrani has been categorized as “mixture music,”
while it seems wrong. In fact, the group has not adhered to a specific style since its
inception. What we heard on Bomrani’s early albums was more like blues music, but in later
years, we also heard country, pop, progressive rock, and even ambient music on the band’s
licensed albums. Despite this stylistic diversity, Bomrani’s music had a distinctive and
constant feature all these years: Being popular. This Band is very popular among people and
especially young people. It seems that one of this group’s attractive points is breaking the
boundaries of modern Persian Vocal music published in the Iranian music market. These
Boundaries are from music and composition and from poetry and words.
With a brief overview of the history of this group, it can be said that Bomrani is one of the
few active and licensed music groups in Iran that presents popularised music in a standard
version and not just commercial way and in the context of the media. In this way, popular
can also be considered as meaning the musical genre in the West, which has sub-categories
such as country, blues, etc. Bomrani is also moving toward this unique music, which has its
roots in European and American music but has taken on a Persian theme, and now we have
to wait for its future performances and works